Research

Between 2020and 2022, the University of Leeds and IWM received Arts and Humanities Research Council (AHRC) funding for a series of network events, which explored the archive of the award-winning conflict photographer Tim Hetherington.

In 2019, the Arts and Humanities Research Council (AHRC) awarded funding for an international research network led by Dr Catherine Baker, University of Hull which brought together researchers, museum professionals, journalists, peace-building experts and survivors of displacement to examine the work of United Nations Television and its collection, produced during the Yugoslav War and deposited at IWM in 1996. The UNTV collection contains 200 reports and video letters, over 2000 rushes, and around 700 documents, providing valuable insights into UNTV’s operations during the Yugoslav Wars.

In 2020, the Arts and Humanities Research Council (AHRC) awarded funding for Provisional Semantics, one of eight Foundation Projects funded under 'Towards a National Collection', the five-year £18.9m research programme using digital technology to create a unified national collection of the UK's museums, libraries, galleries and archives

A collaboration between Tate, The National Trust, Imperial War Museums and the Decolonising Arts Institute at the University of the Arts London, Provisional Semantics explored how museums and heritage organisations can engage in decolonising practices to produce search terms, catalogue entries and interpretations to support everyone to engage positively with a digitised national collection.

Suzanne Bardgett is Head of Research and Academic Partnerships. Prior to that role, Suzanne led the team which created the IWM’s first Holocaust Exhibition opened in 2000. She has been Principal Investigator on two AHRC-funded projects and Co-Investigator on a third; co-chaired the Independent Research Organisations Consortium (IROC) from 2016-2020; co-chaired the Royal Historical Society’s working group on equality and diversity (2018-2019); and served on the AHRC Peer Review College (2016-2020). Suzanne is co-editor of Palgrave Macmillan’s series The Holocaust and its Contexts, a co-organiser of the international conference Beyond Camps and Forced Labour and a trustee of the Freud Museum. She has published widely, most recently Wartime London in Paintings (2020) and is currently working on The Air War in Paintings (due early 2024).

Chris Cooper is Head of the Second World War and Mid-Twentieth Century Conflict team. With the University of Southampton’s Dr Chris Fuller, he is currently supervising Hirah Azhar’s collaborative PhD on the consequences of digital and social media influence operations by state and non-state actors. He was previously responsible for developing the museum’s collections relating to the Iraq War and counter-ISIS operations in Iraq and Syria and was the IWM lead on the Social Media in Conflict Research Project, working in collaboration with Dr Charlie Winter of King’s College London. At IWM he has curated exhibitions Yemen: Inside a Crisis at IWM North and War Games: Real Conflicts | Virtual Worlds | Extreme Entertainment at IWM London.

Louise Skidmore is Head of Contemporary Conflict. Previously she led the innovative War Story project from 2010 to 2016, which introduced new collecting methodologies to IWM and established IWM’s contemporary conflict collection, which continues to grow under her leadership. As War Story project manager she oversaw the exhibition projects War Story: Serving in Afghanistan, Supplying Frontline Afghanistan, Afghanistan 2014 and Fighting Extremes: From ISIS to Ebola leading on proactive collecting for these projects, which involved ground-breaking visits to Helmand and to Kabul, Afghanistan. She has led exhibition projects as both project manager and curator, most recently as lead curator for Yemen: Story of a Crisis at IWM North.